Celine Parreñas Shimizu works as a film scholar and film/videomaker. As Associate Professor of Film and Video in Asian American Studies and Affiliate Faculty in Film and Women’s Studies at the University of California at Santa Barbara, she teaches popular culture, social theory, sexuality, transnational feminisms and film theory as well as television and film production. She received her Ph.D. from Stanford University in Modern Thought and Literature http://www.stanford.edu/dept/MTL/ (2001), her M.F.A. in Film Production and Directing from the UCLA School of Theater, Film and Television http://www.tft.ucla.edu/ (1996) and her B.A. in Ethnic Studies from the U.C. Berkeley http://ethnicstudies.berkeley.edu (1992).

Her book THE HYPERSEXUALITY OF RACE: PERFORMING ASIAN/AMERICAN WOMEN ON SCREEN AND SCENE is forthcoming from Duke University Press http://www.dukeupress.edu/. The book analyses the production of sexuality for Asian women in western modern moving image visual cultures such as early cinema, stag films, contemporary pornography, Hollywood blockbusters, musicals and independent sexually explicit media by Asian American women. Her publications include an interview entitled “Unashamed To Be So Beautiful” in the Asian American Film Anthology COUNTERVISIONS (Temple, 2000); “Sex Acts: Asian American Film Feminisms” with filmmaker Helen Lee, in a special issue on film feminisms in the leading feminist journal SIGNS (Chicago UP, 2004); “Theory In/ Of Practice” in PINAY POWER, the Filipina American Feminist Theory Anthology (Routledge, 2005); “The Bind of Representation” in THEATRE JOURNAL (May 2005) and “Queens of Anal, Double, Triple and the Gangbang: Producing Asian/American Feminism in Pornography” in THE YALE JOURNAL OF LAW AND FEMINISM (June 2006). Her new book MEN OF COLOR AND THE MOVING IMAGE SEX ACT focuses on the production of sexuality for men of color in various transnational contexts. Two chapters have been published in STANFORD BLACK ARTS QUARTERLY and the journal WIDE ANGLE.

An internationally screened and award-winning filmmaker, her works include MAHAL MEANS LOVE AND EXPENSIVE (1993), HER UPROOTING PLANTS HER (1995) and SUPER FLIP (1997). Her recently completed digital film THE FACT OF ASIAN WOMEN (2002) received the Best Documentary Short Prize at the Big Mini DV Festival in New York, Best Picture—Women’s Issues at Zoie Fest, Winner in Long Format-Education at the 2003 DV Awards and Best of Festival-Documentary at the 2003 Berkeley International Film and Video Festival. She is currently in pre-production for her next documentary BIRTHRIGHT about mothering in Santa Barbara http://www.ihc.ucsb.edu/birthright/ and developing the narrative film TWELVE ASIAN WOMEN, a psychosexual drama and ETHNIC STUDIES, a soap opera.

For her scholarship and film work, Dr. Parreñas Shimizu has received many awards, fellowships, grants and honors including the Social Science Research Council Sexuality Research Fellowship http://www.ssrc.org/fellowships/sexuality/, the Stanford Asian American Studies Graduate Academic Award, the Edie and Lew Wasserman Directing Fellowship, the James Pendleton Foundation Prize and the Eisner Prize for Poetry—UC Berkeley’s highest award in the creative arts.